1.0Idesehttps://idese.cultura.gov.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="WIxI6QgTP2"><a href="https://idese.cultura.gov.it/en/place/murales-di-oliena/">Murales di Oliena</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://idese.cultura.gov.it/en/place/murales-di-oliena/embed/#?secret=WIxI6QgTP2" width="600" height="338" title="“Murales di Oliena” — Idese" data-secret="WIxI6QgTP2" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://idese.cultura.gov.it/wp-includes/js/wp-embed.min.js </script> https://idese.cultura.gov.it/wp-content/uploads/2022/05/OLIENA-TK0A6436-scaled.jpg17362560The first murals in Oliena started to appear in the 1970s and, like most of the works from that period, have a strong critical political and social tone. One example of this is the work by Elisabetta Carboni and Diego Asproni in Corso Vittorio Emanuele II, in which the two artists depict the protests that […]